Author: Sarah Freelandbr
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Getting a tattoo has become a new fad in todays society. Once frowned upon by mainstream society, it is now become a commonly viewed item in everyday life. Upon getting a tattoo, finding an artist of your liking is a big part. Since this is a permanent deal, it has to be done properly or else you will be living with this forever.
Make sure to research the artist and the tattoo shop or studio. They should have all of the proper resources to get your tattooing done properly and in the most cost effective way possible. Most shops have flash art available, for those who need ideas on what to get. They should also have fine art tattooing books available, for further ideas on ideas. Once you have an idea on what to get, they should be able to present your idea through a simple piece of artwork, which should show you if the drawing is exactly what you are thinking of.
Each artist has its own specialty in what they draw. Some specialize in tribal designs, while others are in Celtic designs. Make sure they are able to draw up whatever it is you are looking for. They should have proper tattoo supplies, which should comply with safety standards. They should have a proper tattoo gun, or a homemade one that works properly. They should know how to clean it properly as well as work it.
When coming to the actual tattooing of the art you had drawn up, make sure it is exactly the way you want it done. Make sure they have a variety of tattoo dyes, colors and pigments if you are looking for color in your tattoo. They should be able to distinguish what blends well with your skin tone.
For more information on tattoo, body art and body piercing supplies, care and safety visit the tattoo and body piercing information center at http://www.TattooandPiercingSupplies.com Tattoo and Piercing Supplies is your source for body piercing and tattoo equipment including guns, tattoo machines, inks, needles, power supplies and body jewelry.br
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Posts Tagged ‘artist’
Author: Donna Jean Engstrombr
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I think it is essential to familiarize yourself with the power of color. It is such an important part of an artists work. Color can set the mood, convey a feeling, and enhance or detract from our focal point.
The Readers Digest Great Encyclopedic Dictionary (one of my favorite books) defines color thus: A visual attribute of bodies or substances distinct from their spatial characteristics and depending upon the spectral composition of the wavelengths of radiant energy capable of stimulating the retina and its associate neural structures.
… whaaaat?
All I know is, blue, red, yellow, turquoise, lime green, purple, magenta, gold, crimson, I love them all. I cant wait to open your eyes to the wide world of color!
As an abstract artist, texture and color are two important elements in my work. Acrylic paint is my medium of choice because it is so very versatile. Acrylics come in a variety of consistencies including inks, fluids, and heavy body paint. In the references that follow, I use Golden Artist Colors unless otherwise noted.
The best way to learn about color is to actually DO color mixing.
So I suggest you go cut a number of 8 x 10 pieces of watercolor paper or primed canvas so you can try all the following techniques. I think you will find these sheets a great reference tool.
Supplies you will need for our C O L O R adventure:
Disposable paper palette (no messy clean up?I like it!)
Mixing knife or palette knife (any size will do)
Watercolor paper or primed canvas (there are pads available of both at your local art supply store; make sure you get actual primed canvas?not that paper stuff which I think is really icky)
Water containers for cleaning brushes
Synthetic brush of your choice (#8 round or #6 flat is good)
Spray bottle to keep paint moist
Paper towel for blotting and cleaning brush
Color Wheel
Paint colors as listed in following pages
(Also visit Goldens web site listed below for color samples)
Ok, lets talk color.
Lets start with the basic color wheel. If you dont have one, get one. Its loaded with good information and visually reiterates the following:
Primary colors are yellow, red, blue. You have to start with these colors as they cant be mixed from anything else. Hence the term primary.
Secondary colors are orange, purple, green. Yellow + red = orange. Red + blue = purple. Blue + yellow = green.
Tertiary (third round of mixes from primary and secondary colors) include colors like blue-green, red-violet, yellow-orange.
Colors can be visually warm or cool. Warm colors include yellow, orange, and red; cool colors include purple, blue, green. Yellow can, however, be cool just as a green can be warm, depending on the pigments used to make that particular color.
The colors listed below are chosen for their purity; only two primaries used to make them.
Warm:
Cadmium Yellow Medium (trace of red no blue)
Ultramarine Blue (trace of red but no yellow)
Cadmium Red Light (little yellow but no blue)
Cool:
Cadmium Yellow Light (trace of blue no red)
Phthalo Blue (little yellow but no red)
Acra Violet or Quin Magenta (trace of blue no yellow)
Complimentary Colors:
You probably heard the term complimentary colors, right? They are directly across from each other on the color wheel. Thats all well and good but what if you dont HAVE a color wheel in front of you? Here is a quick way to figure it out.
If you are looking for the compliment to red, the two primary colors left are yellow and blue; mixed together they make green which is the compliment to red. The compliment to yellow? Blue and red are the primaries left that, when mixed, make purple – the compliment to yellow. Cool, eh?
What if you want to know the complimentary color to purple? Well ??. red and blue mix to make purple, the primary color left is yellow, which is the compliment to purple. TA-DA!
What about orange? Yellow and red make orange, blue is the primary left. Blue and orange are complimentary colors. Got it? Pretty simple. All you really need to know are your primary and secondary colors.
Knowing about complimentary colors is key for two reasons:
1. Complimentary colors, when painted next to each other, enhance one another and almost glow. Why do you think a red rose is so stunning? Its those wonderful green leaves making the red dance. Did you ever wonder why so many spring flowers are purple and yellow? Mother Nature knows what shes doing.
2. Complimentary colors, when mixed together, create a neutralized or grayed-down version of the original color. Alter the proportions to get blue gray, green gray, or purple gray; red brown, yellow brown, or greenish brown.
Sooooo, when you have a blue that is too bright, you can dull it by adding a bit of orange. Give it a try. Take a dollop of blue and add a small amount of orange. Mix well and watch how the blue changes from bright to dull. Uh oh, are you getting a greenish brown? Thats because you added too much orange or the orange may have too much yellow in it. Yellow and blue make green, remember?
We learned something here. We got a brown because blue and orange are complimentary colors and create neutralized versions of the original color. This can be a wonderful color or something less than desired – just depends on what you are trying to accomplish. Neutrals make the bright colors in your work sing. Use them around your focal point or to create quiet areas where the eye can rest.
When a paint manufacturer attempts to convert the colors we SEE into color pigment in a tube, well, lets just say they do the best they can. Did you know that most of the paint colors available contain all three primary pigments to come up with the final color you squirt onto your palette?
Why is that important?
Because Red and Blue dont Always Make Purple
We know that it takes red and blue to make purple and yellow is the compliment. Which red and blue do you choose to mix a bright purple? (HINT: NOT red with yellow in it. Red and yellow make orange, the compliment to blue which will make a gray purple not a bright one.) Got the idea?
If you dont believe me, mix some Pyrrole Red (which looks like a true red) with Pthalo Blue and see what you get. Now try it with Acra Violet or Quinacridone Magenta ? ahhhhh, much better.
Now this is a pretty basic explanation of color mixing. There are so many books about color available, my suggestion is to find one that makes sense to you, learn it, use it, and then study other theories.
OK, so why is it important to know all this stuff?
Because color is crucial to convey our message,
to express ourselves artistically.
The Highly Technical Marble Drop Theory
Is this making sense yet? I know this is a lot of information,and it took me quite a while to filter/assimilate it. As Shrek might say, Color study has layers. We cant get it all at once (darn it). Dont worry if you are befuddled, just keep at it.
Let me share my marble drop theory. Our brains can only comprehend so much information at any given time. When learning new techniques/methods, it is difficult to hold onto all these various tidbits. I picture them as marbles all lined up waiting to be absorbed.
At some point you will think AHA! I get it! and the marble will drop for that particular tidbit of information – you will no longer have to struggle with it. This makes room in your brain for the next pearl of wisdom.
Your art journey is a spiral. As you get each new principle, when you come back around to study, oh, say color again, you have the capacity for a higher-level of understanding.
I hope this helps you on your artistic journey. Visit my web site listed below to view my work and check out my zine Feed the Addict, which contains more color mixing information and actual color samples.
Have a very creative day!
Donna Engstrom
http://www.donna-engstrom-abstract-art.com/index
http://www.goldenpaints.combr
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